Skip to main content

Grateful Dead Live at Curtis Hixon Convention Hall on 1973-12-19




Set 1

Promised Land
Sugaree
Mexicali Blues
Dire Wolf
Black Throated Wind
Candyman
Jack Straw
Big Railroad Blues
Big River
Here Comes Sunshine
El Paso
Ramble On Rose
Playin' In The Band

Set 2

Mississippi Half Step
Me And Bobby McGee
Row Jimmy
Weather Report Suite Prelude >
Weather Report Suite Part 1 >
Let It Grow
He's Gone >
Truckin' >
Nobody's Fault But Mine >
Other One >
Stella Blue >
Around & Around

E: Casey Jones

This date is featured on Dick's Picks 1.


Collection GratefulDead
Band/Artist Grateful Dead
Date December 19, 1973
Venue Curtis Hixon Convention Hall
Location Tampa, FL

Source SBD -> Master Reel -> Dat (44.1k)
Lineage Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Transferred by Charlie Miller


Notes

Notes:
-- All disc changes are seamless
-- I corrected the pitch and fixed the levels
-- There were a few pops that were also removed
-- Thanks to Rob Eaton for the Dats
-- Thanks to Joe B. Jones for his help with the pitch correction

Reviews

Reviewer: quinn_76! - - July 15, 2014
Subject: "And We Bid You Goodnight, 1973"

It’s obvious that the “Here Comes Sunshine” was the swaying factor in Dick Latvala’s decision to release this night for the first released pick. It’s also the last stand of 1973, a year universality praised by many deadheads (and rightfully so!). It happens to be my favorite year, and I’m of the opinion that the Dead bade farewell to this year in fine fashion, although the previous night in Tampa deserves the nod for the stronger of the two shows.

The aforementioned HCS is truly epic, and along with the versions played on 12/6, 11/30, 11/17 and 2/23/74, ranks among the very best. The last show of December is not actually an all around spectacular show, all told. Much of the first set is dialed in, save for the “Playin’”, and this version, while good, is nowhere near the best of the year. (For superlative stand alone versions look to the month of February, 3/16, 5/26, 7/1 & 10/19.) The Second set, per usual, offers up more interesting sonic goods. The segue-wave involving “Truckin’->Nobody’s Fault But Min->Jam->Other One->Jam” is the undisputed highlight. The “Truckin’” itself is pretty uneventful, but the “Nobody’s Fault” is remarkable (best version of the year, imho), and the jam that is segues into is worth a listen or three. The “Other One” that follows is very lean, clocking in at under two minutes (Phil Lesh disallowed the inclusion of his bass solo before this night was released), then segues into one of the greatest “insect fear” meltdown jams of the 73/74 era. The jarring, yet thrilling waves of electronic crescendos hint at the upcoming “Seastones” section that would later grace or plague (depending on your tastes) summer and fall ’74 shows.
Reviewer: c-freedom - - February 12, 2014
Subject: Wake of the flood
I really like this especially getting Here Comes Sunshine and Weather Report Suite in the same show. (There is only a brief period time where they are both in rotation.)
You can't go wrong with the express train:
He's GONE onward to Stella Blue
with Nobody's Fault > Other ONE being the peak!
I don't hear Donna in the mix?
A real laid back Casey Jones encore.
Reviewer: like_zoinks - - December 19, 2013
Subject: I love you so much
This is superb. A perfect find today for an "on this day in grateful dead history.." and the quality is top notch!
Infinite thanks. Forever grateful.
Stream Only
Stream playlist
( VBR )
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 5/12/2011
Views
5,757
Favorites
7
Reviews
3
PEOPLE ALSO FOUND
Grateful Dead
by Grateful Dead
363
0
0
Source: First or Second Generation Tapes (I Believe); Possible
Grateful Dead
by Grateful Dead
383
0
0
Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
Grateful Dead
by Grateful Dead
397
0
0
Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
by Grateful Dead
749
0
0
Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Grateful Dead
by Grateful Dead
355
0
0
Source: Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC
Grateful Dead
by Grateful Dead
229
0
0
Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
653
0
0
Source: Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Grateful Dead
by Grateful Dead
1,154
0
0
Source: Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
616
0
0
Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Grateful Dead
by Grateful Dead
457
0
0
Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed,Metadata Tagging With Tag&Rename By Keo